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1. Concept of Networking Cultural Heritage How familiar is your organization and its constituents with the terms of this vision and with the current issues that have to be grappled with to make this vision a reality? Somewhat |
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2a Given this definition of advocacy, how does your organization advocate for networking cultural heritage? Considering the economic realities of our members, which prevent us from being actively engaged in policy/advocacy work. We work at being informed, hence education as advocacy |
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2b Do you have a different working definition of advocacy than the one we offer here? No. |
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2c Projects? Of the projects that your organization participates in, which are related to digital networking? N/A |
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2d Partners? If you collaborate with partners in any networking advocacy activity, who are they? Loosely with Arts Wire and Benton/Open Studio sites |
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2e Measure Success? How do you measure the success of your networking advocacy projects? N/A |
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2f Target? Besides NINCH members, what groups should NINCH target for advocacy? -- |
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The financial means to keep ourselves at the "table". Since we don't have the time and money to be engaged, we need trusted leadership who can tell us simply and honestly what's happening |
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4. --intellectual property 3. -standards 1. --access 2. --economics 6. -internationalism 5 -preservation |
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