|
1. Concept of Networking Cultural Heritage How familiar is your organization and its constituents with the terms of this vision and with the current issues that have to be grappled with to make this vision a reality? The majority of our members are mostly unfamilar with the issues (3 and 4). However, there are a few members, namely Leila Kinney and Chris Sundt who are very familar and involved with the issue (1 and 2). |
|
2a Given this definition of advocacy, how does your organization advocate for networking cultural heritage? This defination is consistent with our point of view,however we do not do that much advocacy for cultural heritage. |
|
2b Do you have a different working definition of advocacy than the one we offer here? Our in house defination of advocacy relates more to certain legislation.Namely, government support for the arts. |
|
2c Projects? Of the projects that your organization participates in, which are related to digital networking? NINCH, our Web Site, we have a Committee on Electronic Information, and our recent town meetings. |
|
2d Partners? If you collaborate with partners in any networking advocacy activity, who are they? NINCH and ACLS |
|
2e Measure Success? How do you measure the success of your networking advocacy projects? Is there a way to? |
|
2f Target? Besides NINCH members, what groups should NINCH target for advocacy? Colleges, Universities and a wider academic and museum community. |
|
How to get people to pay attention to the issues. |
|
-1-intellectual property (copyright law, fair use, licensing) -5-standards (vocabulary/description/data; cataloging; technical, etc.) -1-access -2-economics -4-internationalism -3-preservation
|
Back to Index of Organizations