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1. Concept of Networking Cultural Heritage How familiar is your organization and its constituents with the terms of this vision and with the current issues that have to be grappled with to make this vision a reality? Some of our members/staff are VERY familiar, but these are balanced out by a number with little familiarity, and a small core of Luddites. |
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2a Given this definition of advocacy, how does your organization advocate for networking cultural heritage? Through work w/ NINCH, NHA, DFC |
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2b Do you have a different working definition of advocacy than the one we offer here? Sometimes needs to include legislative language/lobbying
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2c Projects? Of the projects that your organization participates in, which are related to digital networking? Several in development |
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2d Partners? If you collaborate with partners in any networking advocacy activity, who are they? See (a) |
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2e Measure Success? How do you measure the success of your networking advocacy projects? i) legislative results; ii) collaborative projects outcomes; iii) hopefully, financial support (down the line) |
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2f Target? Besides NINCH members, what groups should NINCH target for advocacy? -- |
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Pithy descriptions of pending issues, including range of possible outcomes (for use with boards)
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5--intellectual property (copyright law, fair use, licensing) 1--standards (vocabulary/description/data; cataloging; technical, etc.) 3--access 2--economics (cost recovery etc.) 4--internationalism 6--preservation >--other:
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