>> 2003 Town Meetings >> Cleveland Cleveland: References & Resources (under construction) Compiled by Presenter Avsec | Besek | Gunderson | O'Rourke | Mark Avsec Columbia Law Library, Music Copyright Infringement Online Archive <http://library.law.columbia.edu/music_plagiarism/index2.html> Donald Passman, All You Need To Know About the Music Business. (New York: Simon & Schuster, 2000) CASES: Arnstein v. Porter. See <http://www2.tltc.ttu.edu/Cochran/Cases%20&%20Readings/Copyright-UNT/arnstein.htm> Selle v. Gibb. See <http://library.law.columbia.edu/music_plagiarism/015/015.html> Abkco Music v. Harrisongs Music. See <http://www.angelfire.com/sc2/surfit/> Napster. See <http://news.findlaw.com/legalnews/lit/napster/> June Besek June M. Besek, “Copyright Issues Relevant to the Creation of a Digital Archive.” Washington, DC.: Council on Library and Information Resources, 2002 http://www.clir.org/pubs/reports/pub112/pub112.pdf William M. Borchard, “A Trademark Is Not a Copyright or a Patent.” Cowan, Liebowitz & Latman (Nov. 2001) http://www.cll.com/articles/article.cfm?articleid=121 Copyright Office Website. http://www.loc.gov/copyright Findlaw, Law Crawler. http://lawcrawler.findlaw.com/ For Federal statutes and court cases Mark Gunderson Ulrich Boser, “A Beat All Your Own.” U.S. News & World Report, January 20 2003. p. 66. Dan Strachota. “Pop Philosophy.” SF Weekly, September 25, 2002. p.67. Erik Battenberg. “Bootleg Boom.” Columbus Dispatch, June 3 2002. p. E8. http://www.dispatch.com/news/features02/jun02/1289127.html Neil Strauss. “Spreading by the Web, Pop's Bootleg Remix.” New York Times, May 9 2002. http://www.base58.com/bsx/nytimes.html Jeff Chenault. ECC interview. Cool & Strange Music Magazine, May 2002. p. 58. http://evolution-control.com/press/csm_05_2002.html Mark Blacklock. “Nobody’s Default But Mine.” Bizarre Magazine, June 2001. p.112. http://evolution-control.com/press/bizarre_06_2001.html Mark Blacklock. “Lords of the Files.” Bizarre Magazine, June 2001. p.128. J. Caleb Mozzocco. “Found Sound / The ECC oversees human evolution through musical innovations.” Columbus Alive!, March 8-14 2001. http://www.columbusalive.com/2001/20010308/music2.html Douglas Wolk. “Sound Files / Dummies for Napster”.Spin Magazine, December 2000. http://evolution-control.com/press/spin12-2000.html NPR's All Things Considered, 8 Sept 2000. http://discover.npr.org/rundowns/segment.jhtml?wfId=1081824 Mara Schwartz. “Thieves Like Us / MP3: Recontextualization is your best entertainment value.” LA Weekly, July 21-27 2000. Mark Blacklock. “Listen to the Banned.” Bizarre Magazine, June 2000. “Rocked By Rape” review.Spin Magazine, February 2000. Maureen O'Rourke Peter Jaszi, Tasini and Beyond, 2001 E.I.P.R. 595 "Experts Weigh Tasini Ruling's Impact on Freelancers and Electronic Publishers", 62 PAT., TRADEMARK & COPYRIGHT J. (BNA), Oct. 19, 2001, at 557 Alice Haemmerli, "Case Comment: New York Times v. Tasini," 25 COLUM.-VLA J. L. & ARTS 57, 67 (2001) William Cornish, "The Author as Risk-Sharer," 26 COLUM. J.L. & ARTS 1, 2 (2002). Wendy J. Gordon, "Fine-Tuning Tasini: Privileges of Electronic Distribution and Reproduction," 66 Brooklyn Law Review 473 (2000) Bettina C. Goldmann, "New Law on Copyright Contracts in Germany," 19 No. 9 COMPUTER & INTERNET LAW. 17, 17 (2002). H.R. 4643, 107th Cong. (2002) http://www.nwu.org/pic/hr4643.pdf